Friday, November 20, 2009

Them Crooked Vultures

I had never even heard of the group until I read on a gaming site that their single was going to be released for download in Rock Band. I guess that's not too surprising, since I don't really read or follow music news. But I do try and follow news of the few bands I regularly seek out, so you'd think a band made up of Josh Homme (Queens of the Stone Age), Dave Grohl (Foo Fighters), and John Paul Jones (Led Zeppelin) would have appeared on my radar at some point since their first appearance in June 2009.

The line-up alone was enough to sell me, though I did seek out some of their songs on YouTube. I ordered it through Amazon on Tuesday and got it last night.

It's a great album. With vocals and guitar hooks provided by Homme, it's going to remind you a lot of QOTSA (which certainly isn't a bad thing), but it's unique enough to lay claim to a separate identity. I'm not good at the whole "song by song" thing, but for what it's worth, here you go:

The first song, "No One Loves Me and Neither Do I," has a very QOTSA feel to it. But the next one, "Mind Eraser, No Chaser," has a running rhythm that will evoke a Foo Fighters chorus. The single, "New Fang," is just a plain old catchy rock song. "Dead End Friends" begins with an eerie tune that I think best fits the album art. "Elephants" has a great hook and quickly ramps up into a fast-paced rocker, but then slows down into the trudging beat we know from other QOTSA songs. I wish it had maintained the initial energy throughout, though it does kick up at the end again. "Scumbag Blues" reminded me more of an easy going Led Zeppelin song. "Bandoliers" is good, and I can't really think of a good way to describe it. Towards the end an extended guitar and organ duet kicks in. "Reptiles" is Zeppelin right from the get-go. Jones' bass has an instant presence, and Homme's guitars say the same thing. Good one. "Interlude with Ludes" is what you'd expect, and it's not my favorite. Spacey drugged out song. "Warsaw..." is a bluesy, slower, grungy march. "Caligulove" features more organ and has a good skippy beat. "Gunman" has a dance-song feel that reminded me of Muse's "Supermassive Black Hole" at first, but the chorus is eerie QOTSA. "Spinning in Daffodils" reminded me of early QOTSA.

I think if you're a fan of at least 2 out of 3 of the original bands, you'll really dig this.

Tuesday, November 03, 2009

Paranormal Activity (2009)

A few weeks ago I went to see Paranormal Activity with a good bunch of dudes (Doug, Ethan, Will, and Hugh). We'd all heard a bunch of buzz about this being a genuinely terrifying movie without gore, so we were all excited. We saw it with a good responsive crowd, so it was a fun time.

The promotion for this movie has been designed around the idea that the less you know about the film, the better the experience, so I'm letting you know now that I'll be discussing specific content in the review below. Fair warning, go ye n'further if ye want to see the movie unspoilt.

The movie is structured like The Blair Witch Project and Cloverfield, in that it's documentary-style "found footage." The story concerns Katie and Micah (pronounced "Mee-kuh" because his parents hated him), a couple who live together in San Diego. Katie has been haunted by a spirit or presence for years, and it has returned again. Micah is a skeptic, and decides to set up a camera to try and capture the phenomena of the haunting. As it turns out, it's a demon that's been following her. And the demon wants her (for what, it's never clear). And it doesn't like being taunted, it doesn't like the camera, and it doesn't like Micah. By the end it has fully possessed Katie and killed Micah.

The movie is pretty good. I try not to give bad art a pass because it was made on a low budget, and fortunately these guys did a great job by using their limitations as strengths. The best parts of the film are the titular paranormal events, most often observed in the bedroom set-up. It begins very subtly, with a door moving and some audible foot-steps. By the end Katie is being dragged out of bed in one of the most terrifying scenes in the film. Other notable scenes include the appearance of three-toed demon footprints in baby powder that Micah has spread around, an Ouija board that moves by an unseen hand and then bursts into flame, and a shadow moving across a door. Each time the demon is present, the audio turns low and bassy, and it's a great effect for giving the sense of an evil oppressive presence.

The stuff I didn't like was all the relationship drama. I understand the need for it for the story structure, but it was mostly boring, and, at its worst, unbelievable. It's understandable that Micah would scoff at and taunt the demon in the beginning when he doubts its existence, but it's beyond stupid that he would say, "No one messes with my girl; I'll take care of it" when he believes it exists. And "I'll take care of it" seems to mean doing nothing other than more bro-posturing.

Which leads me to the biggest hole in the film. No one, at any point, decides to consult an exorcist. Or at least some religious figure. If you're convinced and terrified that there is an evil demon tormenting you, I don't care if you're Richard Dawkins, you're going to consult someone or something on the "good" side to try and protect yourself. As an American in 2009, you're aware of the pop-culture surrounding demon mythology. Everyone's heard of The Exorcist. Everyone knows the idea of God vs. the Devil, angels vs. demons, good vs. evil. So the fact that there's not one mention of God, Jesus, angels, whatever, is unbelievable. Not as a Christian, but as a movie-goer. It's odd, too, since the movie does a good job of addressing our other concerns (like why don't they just leave the house).

Last complaint: CG demon face at the end was stupid. When the rest of your movie is made up of practical, believable effects, don't suddenly end it the way a cookie-cutter horror movie would with a distractingly obvious demon face biting the screen black.

The movie is an impressive demonstration of making something genuinely affective without any money. While it didn't shake me to my core, it provided a few good scares and a good sense of atmosphere. Worth a rent.